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The Parlor In The Home: Wherever Did It Go?

The merest mention of a parlor conjures images of a time that is no more. Even though the terms “ice cream parlor” and “beauty parlor” are commonly used today, these do not come immediately to mind. In the Victorian sense of the word, ghosts of love thwarted and unfulfilled abound amid pressed flowers, ruby walls, Empire sofas and furnishings of walnut and mahogany. Prim young women adorned with tortoise combs and cameos primp long satin skirts as they reign upon love seats fashioned from the richest fabrics. They speak in the language of flirtation, conveying their feelings and conducting themselves without the use of words. Gloves, fans, parasols, calling cards and flowers were all a part of this archaic communication, which often took place in the parlor. After all, the word “parlor” does come from the the French word, “parler”, to speak

The manner in which a Victorian lady twirled her fan told its very own special tale. If it was in her right hand, she was saying to whoever was watching “I love another.” If she placed it over her right ear, the meaning was “you have changed.” If the handle of her fan was held to her lips, her secret message was, “Kiss me”. Drawing it across her eyes says: “I’m sorry.” A glove worn on the left hand with the thumb exposed asks “Do you love me?” while biting the tips means, “I want to get rid of you.” The young suitor who has come to call bringing a bouquet of white roses has told the object of his affection that “he is worthy of her”. He cannot sit too close without a significant loss of propriety, not to mention the chagrin of an unwanted chaperone. And he had better watch the young lady closely for any shifts in attitude or in this case, fan or glove.

The days of oblique lusting, stiff manners and even stiffer people suffering from exaggerated morality are thankfully gone. The modern cultural cosmos has emerged with its own obsessions, attitudes and problems between men and women, and who’s to say which is any the less exhausting? A room, like most people, should only be judged by the times in which it is lived in. Although the parlor represents a unique time in history, it might survive a comeback, not unlike an aging star upon the silver screen. Needless to say, it could never encompass the same scope, personality and fame that it once did.

The front parlor, located just off the foyer, was the showcase of a family’s possessions and a prime indicator of their tastes and social status. The parlor table often displayed family photographs and the Bible. Also commonly found were chairs, bookshelves, an organ and the sofa. In the Victorian era, clutter meant class (I guess this means that I would have been some classy lady had I been alive back then). The woman of the house was often responsible for outfitting the parlor with expensive, exotic and novel items, such as vases, lamps, statuettes and dried flowers.

Where has the parlor gone and is it in the same place where all the flowers went in that folk song by Peter, Paul and Mary back in the 1960s? Why is it no longer found in homes? Well for one thing, people’s needs and means of entertainment have changed over the years. First there was radio and then television, both of which required rooms big enough to accommodate a seated audience; the whole family, including children, pets and an assortment of snacks and beverages. Television changed the focus of attention from people watching other people to people watching whatever the other people in the room were watching. (Huh?) All of the old parlor games and tricks were really means of communication. Today as lights go out, a movie comes on and all is hopefully quiet and non-challenging for a little while at least.

Hence, the parlor became an anachronism; a dinosaur without means of perpetuation, nourishment or purpose. Empire sofas and love seats made way for more comfortable seating. Recliners replaced the old ponderous armchairs. Bookcases and display cabinets supplanted the more ornate vitrines and curio cases of another softer day. Elaborate end tables curtsied and exited for the grand entrance of more functional “coffee tables”. As the parlor lost its way, it lost the character of what it once was. It couldn’t help it. Things became larger and more complicated. The way people lived in rooms changed so what choice did the parlor have, the poor little thing? Actually, it does live on vicariously today in the same way perhaps as the organ from a deceased donor lives on in the recipient: sort of as an extension of its former self. Whether it is called a living room, family room, den or parlor, a room by any other name is well, still just a room, I guess.

And so the parlor of yesteryear made a graceful exit as it bowed to the needs of an ever-changing societal family structure. Can it ever return? Who knows? (Besides the Shadow, that is.) That old television and new DVD player might look a bit incongruous next to a mother-of-pearl encrusted organ, not to mention how improper the wilder side of many a living room party may seem under or even near a Family Bible open to the pages describing Sodom and Gomorrah!

Perhaps it shall always be a gilded memory that flickers only in the mind’s eye. I have no idea how I would prepare for a parlor off the foyer of my home, since I don’t even have a foyer in my house. I suppose my love for “things” would help me find a way. After all, like so many modern Americans, clutter is my business, my only business!

Do YOU have any memories about a parlor? Please share.

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About Marjorie Dorfman

Marjorie Dorfman is a freelance writer and former teacher originally from Brooklyn, New York. A graduate of New York University School of Education, she now lives in Doylestown, PA, with quite a few cats that keep her on her toes at all times. Originally a writer of ghostly and horror fiction, she has branched out into the world of humorous non-fiction writing in the last decade. Many of her stories have been published in various small presses throughout the country during the last twenty years. Her book of stories, "Tales For A Dark And Rainy Night", reflects her love and respect for the horror and ghost genre.